Color outside the lines:
16-bit linear RAW
Why accept ordinary color when you can go substantially beyond? Sony preserves every last nuance of color with phenomenal 16-bit linear RAW recording. This encodes over 65,000 discrete shades Red, plus 65,000 Blues, plus 65,000 greens, for more than 275,000,000,000,000 possible colors.
Apple ProRes 422
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Put your shoulder into it Sony’s CBK-55BK shoulder-mount dock for the F55 is another game changer. Slide the camera into the dock and suddenly you’ve got the familiar ergonomics of a true shoulder-mount camera. Slip on a B4 lens (adapter sold separately), switch into Center Scan mode and suddenly you’ve got the same angle of view, depth of field, and operability as a broadcast camera. The F55 can be a 35 mm camera for one shot. And a 2/3-inch camera for the next! |
Designed to work in your world
From small owner-operators to big-budget productions, the F55 has you covered with the camera world’s most robust range of recording options. You’ve got a choice of five resolutions and six codecs. From the industry standby MPEG-2 codec to the most advanced true 16-bit linear RAW recording, the systems are carefully tailored to preserve maximum picture quality at each bit rate. And they’re compatible with a full catalogue of third-party systems for native color correction and editing.
The Transformer: from F5 to F55
Life moves forward. Opportunities emerge. Careers develop. That’s why Sony created an upgrade path. Now you can start with the F5, master the camera and earn a living. And when the time is right, you can add on-board 4K recording in XAVC I and real-time 4K output with the CBKZ-55FX downloadable software license, sold separately. Or transform your F5 into an F55 with the CBK-55UK upgrade kit, sold separately. You’ll reap the natural skin tones of Sony’s S-Gamut color filter array, the geometric integrity of Sony’s frame image scan, and more.