Blog Posts

2018 Camera Comparison Chart – Courtesy of Tom Fletcher & Gary Adcock

This awesome reference is an annual favorite.  It is compiled by Thomas Fletcher and Gary Adock with information gathered from numerous conversations with various cinematographers, rental houses, and manufacturers.  Thanks for sharing it with us, Tom and Gary! Please report discrepancies to cameracomparisonchart@gmail.com. It is our sincere goal to have […]

What’s The Difference Between UHS-I and UHS-II SDXC Cards?

… and why do I care? It’s all about purchasing a card that is fast enough for your video or still camera, and hopefully not buying more than you need, since everything seems to get cheaper on a daily basis.  I pulled Keith Mullin aka ‘Da Professor’ aside for a […]

What’s The Difference Between USB-C, and Thunderbolt 3?

The new iMacs and MacBook Pros have confused me enough with all these new connectors, that I thought I’d try and make some sense out of it.  Here is what I found out: USB Type C really describes a connector plug shape: USB Type C USB Type B USB Type […]

What Is An Eye Pattern – And Why Do I Care?

by John Zdechlik We just came across this video (Thanks Dave Baum!) and it really explains what an eye pattern is and how you can use this testing methodology to evaluate the quality of a digital signal (digital video for us … right?). Yes, it is long and yes, it […]

LTO-8 And The Latest LTO Roadmap

last updated on 8/14/18 by John Zdechlik The big news here is that LTO-8 drives can not read  LTO-6 tapes.  They can read and write LTO-7 tapes.  In the past, LTO drives could always write one generation back and read 2 generations back.  We believe this is because LTO-8 drives utilize tunnelling […]

Sony Service and Technical Support Tips

How to get help, parts, and repairs on for Sony Pro Video Equipment We at Z Systems are here to help you get back up and rolling as quickly as possible, and are happy to act as a liason, but once you learn Sony’s infrastructure, you will find the often […]

Demystifying “Crop Factor”

By: Keith Mullin What Is It? “Crop Factor” is the idea that imagers smaller than a full 35mm stills frame effectively increase the focal length of any given lens.  Essentially they “crop in” on the image being transmitted from the lens onto the focal plane.  For example, the most common […]