Blog Posts
Customer Success Story: City of Ham Lake
The City of Ham Lake had an aging, standard definition live production system and the time had come for an upgrade. After fielding proposals from several different audiovisual integrators, they selected Z Systems. They noted that Z Systems proposal not only had a competitive cost, but that Z Systems was […]
ESPN3 Makes it Easy for your Collegiate Sports Broadcasts to Reach a Wider Audience
Student teams can gain valuable experience producing a professional network quality broadcast Collegiate athletic programs are turning to streaming in a big way as an outlet to broadcast sporting events. ESPN3 makes it easy to reach a wide audience on a reliable platform and provides an ESPN3 branded on-air graphics […]
Ross Redefines Midsize Production Switchers with Carbonite Ultra
With 240% more processing power than the original Carbonite. The remarkably affordable, the 24-input, 14-output Carbonite Ultra starts at only $10,900 USD. Carbonite Ultra is built on an entirely new 1RU hardware platform with 240% more processing power than the original Carbonite. Remarkably affordable, the 24-input, 14-output Carbonite Ultra rack starts at only $10,900 […]
Introducing Blackmagic RAW!
What is Blackmagic RAW Blackmagic RAW is a modern codec we designed as a replacement for both RAW and video codecs, because we wanted it to be very easy to use, very fast and much higher quality. We have a video that explains all about Blackmagic RAW if you would like to watch it. Faster […]
Core SWX – How to Power Sony a7, Sony FS5, Sony FS7, CineAlta, and Broadcast
Sony, as we all know, is a widely diversified corporation selling products from consumer electronics, to their array of professional cameras. Of course they offer many of their own power solutions along with those, but we’re here to offer even more unique options that they might not have. Let’s […]
Sony VENICE CineAlta Full-Frame 35mm 6K Camera
Sony VENICE comes to Z Systems It’s specs at a glance are: 6K (6048 x 4032) Full Frame Sensor PL Mount, and an E-Mount (Lever Lock Type) 8 Step Mechanical ND Filters (ND 0.3 to ND 2.4) Operator Controls On Both Sides Of Camera Compatible With Existing Accessories, Including the […]
